Lore Binon started her musical education at the age of five, studying the violin. She was a
laureate of several competitions and obtained her Masters in violin at the Royal Conservatory of
Brussels, where she studied with Yuzuku Horigome. Whilst studying the violin she discovered a
new passion, the voice. She began her vocal training at the Royal Conservatory of Brussels,
obtaining her Bachelor degree with Beatrijs Devos. Lore continued her vocal studies in
Barcelona at the Escola Superior de Musica de Catalunya, with Margarida de Natividade. In 2011
she obtained her Masters degree at the Conservatory of Amsterdam with Valérie Guillorit. During
her studies she was awarded the Cardon prize for exceptional results by the Royal
Conservatory of Music, Brussels and in 2019 she was awarded the Klara for young talent of the
year. She currently receives coaching from Margreet Honig.
Lore performed in several music theatre productions. She participated in the production
Children of nowhere in collaboration with Lod, Berberio by Zonzo Compagnie for which they
achieved a YAMaward , Revelations and The Valley, both Transparant productions, In my end is
my beginning by Imago Mundi and Loopstation, produced by Ontroerend Goed.
She made her operatic debut as Barbarina (Nozze di Figaro) with the Freiburger Barockorchester
under the baton of René Jacobs. During the season 2017 she sang the role of Pamina in Die
Zauberflöte at the Flemish Opera and she was voice in residence for the Festival of Flanders
Mechelen. In 2019 Lore participated in Love, you son of a bitch at the Staatsoper Unter den Linden
Berlin.
Lore is equally active in the contemporary music field and has performed Schoenberg’s Pierrot
Lunaire at several festivals and participated in Sirènes by Luca Francesconi (Festival Musica,
Strasbourg) as well as an international tour of Drumming (Steve Reich) enjoying regular
collaborations with Ictus and Rosas.
She also has a keen interest in the perfor mance of lieder, perfor ming at the Muziekgebouw
aan ‘t Ij (Amsterdam) and in England, where she gave recitals at the prestigious Oxford Lieder
Festival, Chipping Campden and Wesley Chapel Harrogate.
Lore’s rich and sensitive musical personality makes her much sought after as a soloist in
symphonical repertoire as well as ancient music. She enjoys multiple collaborations with
ensembles such as Br ussels Philhar monic, Freiburger Barockorchester, Antwerp Symphony Orchestra,
B’rock Orchestra, Orchestre Symphonique de Mulhouse performing e.g. Jauchtzet Gott in allen Landen
(Bach), Magnificat (Bach), Dixit Dominus (Händel), Lobgesang (Mendelssohn), Fourth
Symphony (Mahler)Ein Deutches Requiem (Brahms) with conductors such as René Jacobs, Hervé
Niquet, Philippe Herreweghe, Christian Arming, Lothar Koenigs and Michel Tabachnik. Lore performed
in venues such as Bozar (BE), Salle Pleyel (FR), Opera de Lyon (FR), Palau de la musica (ESP),
De doelen (NL) and Tchaikovsky Hall (RS).
Chamber music is another of Lore’s passions bringing her to perform at the festival
Schier monnikoog (NL), MAfestival (BE), Yaroslav Festival (RU), Operadagen Rotterdam (NL)
et Valetta Baroque Festival (M) collaborating with ensembles such as Oxalys, Zefiro Tor na, Il
Gardellino and the Nederlandse Bachvereniging.
She is a founding member of the ensemble Revue blanche; a quartet consisting of the rather
unusual combination of harp, flute, viola and voice. The ensemble was awarded the Klara for
young talent 2013 and has followed an impressive traject aver since. They perform in major
concert halls like Philharmonie de Paris, Elbphilharmonie Hamburg, Muziekgebouw aan t’IJ,
Centro Cultural de Belem and Opéra de Lille.
Lores discography consists of two albums under the Outhere Music label; Les poètes maudits and
Impressions de Pelléas ( Mélisande), Ein Deutches Requiem (Evil Penguin) and Shelter (Warner
Music). Upcoming projects are Faust Szenen (Schumann), A symphony of expectations (Berio)
and Mahler 4 with conductor Alejo Perez at the Flemish Opera. Furthermore two new CD
recordings for Motor Music.
